History of art begins uprising Reog Ki Ageng lice, a servant of the kingdom of Majapahit in the 15th century which at that time Majapahit kingdom under the rule of Bhre Kertabhumi which is the last king of Majapahit kingdom. Ki Ageng lice wrath against the corrupt behavior of his king, he also saw that the power of the Majapahit kingdom would soon expire. He also left the kingdom and establish a college of Martial Arts with the hope to bring the seeds of which can hold the power of Majapahit in the future. Aware that the troops are not able to counter forces dimilinya Majapahit then Ki Ageng Political message was conveyed through performances Flea Reog. A show Ki Ageng Flea Reog utilized to build community resistance to empire.
In the performing arts are displayed mask Reog lion-shaped head which is called "Singo Barong", the king of the forest that became a symbol Kertabumi, and above it is plugged in peacock feathers to resemble a giant fan which symbolizes the strong influence of his Chinese colleagues who manage the over all movement geriknya. Jatilan, played by a group of dancers gemblak a rocking-horse became a symbol of the power of the Majapahit Empire troops into the contrast ratio with the power warok. red clown mask that became the symbol for Ki Ageng lice, alone and support the weight of the mask singobarong that reach more than 50kg using only his teeth. And finally Reog Ki Ageng lice cause perguruannya Kertabumi attack, the rebellion by warok quickly overcome, and forbidden to continue teaching college will warok. However, students still continue Ki Ageng ticks quietly. Even so, art Reognya still allowed to be staged because the show has become popular among the public, but the story has a new channel which added characters from the Roxburgh folklore Kelono Sewondono, Goddess Songgolangit, and Sri Genthayu.Official Version Reog Ponorogo storyline now is the story of King Ponorogo who intend applying for daughter Kediri, Dewi Ragil Yellow, but amid the journey he was intercepted by King Singabarong of Kediri. King Singabarong troops consisting of peacock and lion, while the part of the Kingdom of Roxburgh and his Deputy Bujanganom Kelono King, escorted by warok (men dressed in black in the dance), and warok has a deadly black magic. The whole dance is a dance of war between the kingdom of Kediri and the Kingdom of Roxburgh, and pitted black magic between them, the dancers in a state of 'trance' during the dance stage
Here are the characters-characters in the Arts Reog PonorogoMask lion-shaped head, known as "Singo Barong", king of the jungle, which became a symbol for Kertabumi, and above it is plugged in peacock feathers to resemble a giant fan which symbolizes the strong influence of his Chinese colleagues who set up and all his movements.
Jatilan, played by a group of dancers gemblak a rocking-horse became a symbol of the power of the Majapahit Kingdom forces
Pujangganong or Bujangganong is a dancer and dance depicting the figure of a young governor (his patih Klana Sewandana) are nimble, clever, witty, and powerful. The figure is depicted with a face mask similar to a giant, long nose, bulging eyes, open mouth with large teeth without fangs, blood red face and bushy black hair close the left temple and right.
Klana Sewandana or Klono: Dancers and dance depicting the figure of the king of the kingdom Bantarangin (kingdom believed to be in the region Ponorogo ancient times. The figure is depicted with a mask crowned, red face, big eyes bulging, and a thin mustache. Besides, he brings a whip Samandiman; shaped straight from rattan cane decorated with red sayet jebug of diseling yellow as much as 5 or 7 jebug.
Warok Suromenggolo. In the stage, figure warok more visible as the guardian / retainer of the king Klana Sewandana (warok young) or elders and teachers (warok old). In the stage, the figure depicted young warok middle practicing science process kanuragan, beefy depicted with chest hair, bushy mustache and bowl as well as a keen eye. While the old warok described as a coach or supervisor who portrayed young warok underweight, long white beard, and walked with a cane.
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